Crear una cuenta Todos los campos son obligatorios
Sus mezclas de Hennessy favoritas
También puede ingresar con FacebookPor favor, complete todos los campos obligatorios
loading
Su cuenta

Hemos enviado un mensaje a su dirección e-mail.
Por favor active su cuenta en un plazo de 24 horas.

Visite Hennessy.com VOLVER

Por favor introduzca el e-mail que utilizó al inscribirse.

Le enviaremos una nueva contraseña a la mayor brevedad posible.

CANCELAR

Error

Una nueva contraseña acaba de ser enviada a email@gmail.com

No olvide actualizarla en los detalles de su cuenta.

Por favor, introduzca los caracteres que aparecen en la siguiente imagen:
Image CAPTCHA
Hennessy

DANIEL ARSHAM; ART, ARCHITECHTURE AND PERFORMANCE

MAKING ARCHITECHTURE MISBEHAVE

Daniel Arsham studied Architecture at the Cooper Union in New York City, where he received the Gelman Trust Fellowship Award in 2003. Arsham makes architecture do things it is not supposed to do, searching everyday experiences for opportunities to confuse and confound our expectations of space and shapes: a façade that appears to billow in the wind, a figure wrapped up in the surface of a wall. In a lot of his art, movement and time are suggested in striking images that require the viewer to challenge first impressions. The passage of time is also conveyed in the notion of decay or damage; we see imperishable objects such as cameras and telephones take on a fossilised or eroded form when he creates them from compressed crystal and rock powder.

HENNESSY 250 TOUR COMMISSION - Untitled

For “Here to There”, featuring video artwork especially created by five international artists for the Hennessy 250 Tour, Arsham has conceived a 3-minute video celebrating the Maison’s close ties with America. Each of the five was commissioned to interpret, in his or her very personal way, Hennessy’s strong and historic links with the artist’s country of origin. Here, anticipating on a possible future, Arsham looks back at the legacy of our time as various objects, clocks, cameras, and televisions made out of ice, seem to emerge from a time capsule. His short film questions our perception of themes recurrent in Hennessy’s adventure in America and central to what the Maison is today: time, history, and American culture.
44963